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Fashion Film Festival Milano Announces This Year’s Winners

FESTIVAL TIME: Creativity, storytelling, vogue and culture had been all current at the eighth edition of the Style Film Competition Milano.

The competition, which runs from Friday to Jan. 18, printed its winners on Friday.

In collaboration with Digicam Nazionale della Moda Italiana, the fad movie competition has proven to be a platform for celebrating the creative hyperlink between vogue and movie. This 12 months, given the spread of the Omicron variant, the competition is being primarily performed in a digital layout. As reported, Pierpaolo Piccioli, Valentino’s creative director, acted as president of the jury.

Constanza Cavalli Etro, founder and director of the competition, stated “the competition has was into a 360-stage cultural accomplishing that lives at some point soon of the 12 months with a solid social dedication. An initiative that represents an global reference point for the enviornment of vogue movie, an vital springboard for younger skills, a accomplishing where the big names in vogue and cinema capture half alongside emerging ones.”

Constanza Cavalli Etro
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“A evening at the museum,” directed by Byron Rosero for Moncler and NSS magazine, used to be nominated Most real looking Style Film. It targets to explore and reformulate the worn perceptions of creative representations.

“A evening at the museum” directed by Byron Rosero for Moncler.
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“The Magic of Suits” by Virgilio Villoresi for Brunello Cucinelli used to be named Most real looking Italian Style Film. The director recreated a tailor shop where fabrics, sketches, mannequins, needles and thread advance to existence and interact as actors on a stage.

Marine Serre’s “Ostal 24” used to be judged Most real looking Images, exploring the vogue designer’s roots and her values.

“Ostal24” directed by Marine Serre, Sacha Barbin, Ryan Doubiago for Marine Serre
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This edition showcased the artistry of many emerging brands — Most real looking Fresh Italian Style Film used to be won by “La tassinara,” directed by Gregorio Franchetti and Ilya Sapeha for Cormio; Act No.1’s fall 2021 movie used to be awarded Most real looking Fresh Italian Set aside, and Shanghai-primarily based entirely mostly trace Didu won the Most real looking Styling award with its movie “The Final Dance of Life.”

“The Final Dance of Life” directed by Claire Farine for Didu.
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The competition, which is ready to be on hand to stare on Digicam Nazionale della Moda’s online platform and on the Style Film Competition Milano web web announce, can even mask projects created for vital vogue homes equivalent to Gucci, Hermès, Fendi and Trussardi.

Cavalli Etro believes this edition is “now not ultimate a celebration of the flexibility of the fad homes, but a replicate of society. We are in a position to talk about a couple of ‘vogue plot’ that addresses the big social considerations. It is no longer closed and elitist, but responsive to gender inequality, environmental considerations and inclusivity.”

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